Professional Wireless Microphone System For Camcorders – Lavaliere

Comments

1. Juan Carlos Cuellar says:

   September 19, 2010 at 2:21 AM

   Review by Juan Carlos Cuellar for Professional Wireless Microphone System For Camcorders – Lavaliere
   Rating:
   For the price its not that bad, but dont expect a sony.
2. Bob Mckelvy says:

   September 19, 2010 at 2:38 AM

   Review by Bob Mckelvy for Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder
   Rating:
   I received my 150 a little over a week ago. Bought it because I wanted to move up to HD and get out of the tape business. It did not come with an SDHC card. Bought an 8 GB to carry me over until my 16 GB cards arrive via Amazon. I am still on the learning curve on it. Especially liked the large comfortable color view eye piece. I was also amazed by the clarity of the video play back on my 48″ LCD screen. Used the three cable output first, that came with the camera( Video, Lt. Rt. Audio )

   Very clear video, much clearer than my trusty old Canon GL-2 It does not come with an HDMI cable. Bought one locally and tried it. Plugged one end into the HDMI out port on the camera and the other end into the HDMI port of my TV. I was blown away by how clear it was !! The video was clearer than some of the stations I view in HD.

   On playback, you are given a thumbnail of the first frame of each scene you shot when you turned the camera on. On playback, you can skip around the scenes you want to view , or delete if needed. The focus assist is another nice feature. When you use it, it momentarily zooms in on the middle of your next shot so that you can fine focus if needed.

   It has many other features that I have not tried yet. On editing, bought the Pinnacle 12 Ultimate because it is set up to handle the AVHCD format and a PC with the AMD quad Phenom processor with 3 GB of RAM. Waiting for a more powerful graphics card to arrive before trying to edit in this new format. The battery that came with it is small. Would recommend buying the larger battery as soon as you can to balance it out. Right now, it feels a little out of balance because of the smaller battery. Also liked the solid magnesium body. No plastic anywhere ! Overall, I am impressed with this camera.
3. Cornelius Fortinbras III says:

   September 19, 2010 at 3:07 AM

   Review by Cornelius Fortinbras III for Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder
   Rating:
   Panasonic AG-HMC150

   I shoot weddings and I have used The HMC150, the Canon AH1.

   From the beginning let me first tell you where my opinion is coming from – price tag: $3500

   First off, neither of these cameras are brilliant in low light. They have 1/3 imagers. I don’t care if they are made of gold and there are ten of them.
   
   1/3 imagers are too small to gather enough light, even if you attached the Hubbell telescope to them.

   To put such tiny sensors in a $3500 is poor, cheap engineering especially when SLR have larger sensors, shoot HD and don’t cost this much.

   Who are these camera angled at?

   Videographers and indie filmmakers.

   As a videographer what are you most concerned with – Low light.
   
   Why? Because you cannot control lights at weddings at parties, etc. So your camera has to be able to handle it.

   As an Indie filmmaker what are you most concerned with – The ability to look like film. It does, with 24p and film gamma, it’s about all you need. But you are paying a premium. But for me, equally important to film look as 24fps is lens choice. Here you get none. While 24fps is what is ingrained in the everyone’s consciousness as what film should look like, they also don’t realize that shallow depth of field and variety of lenses is too. With these camcorders you get no choice, a 13x zoom with extremely wide depth of field at most every focal distance, because it’s a zoom and because the imagers are tiny.

   Good news The AG-HMC150 can handle most lighting situations.
   
   Bad news – AVCHD codec, is noisy in even bright sunlight afternoons. The image is made of blotch.

   Measuring image integrity by zoom factor – at 100% AVCHD compression is clearly visible. 200% the image is a swarming, infected mess.
   
   Although the Panny can holdup in low light. I shot in a dark club and there was still something to see.
   
   It has a very weird auto iris mode, that brings in more light, even when you do exact settings in manual.
   
   Don’t know if there is a magic switch, didn’t have it long enough to work everything out.

   The Canon uses HDV and instead of compression codec noise, you get digital noise; unpleasant grain (not like film), and washed out video at 100%. At 200% it’s like looking at a digital still from a 10 year old point and shoot. And trust me, once an image is washed out and grainy, there is very little you can do (Some gamma correction will bring the shadows back to life, but that noise is there to stay. And the drop down to SD doesn’t do it any favors.

   Bottom line the Canon sucks in low light, especially in anything other than auto mode. I shot in a low light room and the image was garbage. Despite some settings tweaking, which leads me to Canon’s second biggest problem and a problem with these camcorders in general.

   The LCD and the Viewfinder are too small to see how your image is holding up. Everything looked fabulous on the Canon’s 2.7 LCD…and then when you get it back to edit. Noise city. So you can only use the LCD for just basic image checking.

   The HMC150 has a 3.5 LCD, but the brilliant engineers made it a 4:3 ratio! You have black matting in the image! The camera can only shoot 16×9 and they put a 4×3 LCD on it…so in the end you only get about 2.7″ of real estate and you see as much as on the Canon, unless you are in focus assist mode which zooms in and uses the whole LCD.

   So you have to know your settings and be shutter/iris paranoid, hoping for the best image. What you see is not what you get, you have to know what you want, like with film and set the camera accordingly, knowing which settings will get you want in the END, not what you are looking at through the camera.

   The HMC150 definitely benefits from the higher rez. The Canon is 1440×1080. You can see the difference.

   The Canon is more professionally built. Both plastic, but the canon feels more professional, and weirdly the HMC feels like a Tonka Toy, hard textured plastic, but like a light and chunky toy. I can hear the optical stabilizer clunking around in it. The Canon aesthetically looks more professional.

   Audio on the Canon is better, it has much better limiter, I don’t even think the HMC’s is useful, but if you plug one xlr mic into the Canon…the onboard becomes unusable. HMC lets you assign channels for the onboard. Bad news is the onboard mic on both sucks, the Canon sounds better because the HDV format has higher rez than the compressed AVCHD codec.

   The HMC and it’s tapeless/AVCHD codec does not save much time, the transcoding takes almost as long if not longer than real time (HDV tape) and sometimes there are errors, especially transferring from camera, the footage speeds up, the audio remains constant and you have shorter clips. Happened constantly. My guess, USB and it’s non constant data rate. Another cheap short cut by Panasonic. The Canon has a firewire, which speed is constant, and they need it for the HDV tapes.

   The HMC wins out with higher rez, native progressive imagers, resulting in two true progressive modes, 24fps, the other mode/rez are wrapped in pulldowns. The Canon’s 24f, etc modes are fake and you can tell. Everything is interlaced on the Canon. I hate interlaced.

   This review isn’t structured very well, but I don’t have the energy, since I’m so unenthusiastic about both, so they’re not worth more time. But I thought I would let potential buyers know, the ones who think these two cameras are the Holy Grail. They aren’t, and they aren’t worth the high price tag, they are worth $2000 not a penny more. But the problem is, what else is there?

   I returned the HMC, and I didn’t the Canon wasn’t mine, but would have returned it too.

   I’m going to try the Canon SLR route. The closest thing you can get to film without shooting it.

   Annoyingly these two manufacturers and Sony…are all sticking it to us. Instead of advancing things, they are taking baby steps, giving us one desired function at a time for a price.

   If Canon can put a full frame sensor in their 5d II and can give it 1920×1080 30fps shooting, why can’t they put that sensor in a camcorder, with a SLR interchangeable lens mount, with XLR inputs?

   Because they want to sell camcorders AND slr cameras.

   These camcorders are just big consumer cams. They don’t have enough image improvement to warrant $2500+ more in cost. You are paying for features, limited manual adjustments, not image upgrade.

   But of course I didn’t have it for very long, two weeks.

   I just couldn’t get over the price versus video quality, and workflow.
   
   They don’t justify the price, especially when I think we are very close to getting some real breakthroughs in HD imaging.
4. Michael Harvey says:

   September 19, 2010 at 3:08 AM

   Review by Michael Harvey for Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder
   Rating:
   One thing you need to keep in mind is that editing AVCCam/AVCHD is a P.I.T.A. I’m using CS4 on a 2.4 quadcore with 8gig of RAM and Vista64 and it’s sluggish with frequent lockups. I’m getting Cineform ProspectHD v4 when it comes out to compensate. Vegas 8.0c and Edius works well I’m told, and FCP need to convert it to ProRes (or whatever it’s called). I think Avid needs to convert it to a native codec as well. Panasonic does offer a free converter to DVCProHD on there website

   [Update 6/5/09... Premiere CS4 4.1 update is out, and editing is much easier. Also, Prospect v4 is out, and editing with the demo I've been trying has been a joy]

   That said… the camera itself is awesome. Really. I’m coming from the DVX, and this is leaps and bounds above that (which is saying something). The images I’m getting are beautiful. I’m planning on going out now on my days off to shoot just for the fun of it.

   I really can’t add anything that hasn’t been said already by others. But if you’re looking at the HVX200a or HPX170 (they all share the same chips, and the HMC shares the same glass as the HPX), but don’t want to deal with the costs of P2 or need all of the features of the HPX or HVX, I would HIGHLY recommend buying this instead.

   Just be prepared for some editing headaches at first (the problem with bleeding edge technology is sometimes you need to get stitches).
5. David Hutt says:

   September 19, 2010 at 3:47 AM

   Review by David Hutt for Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder
   Rating:
   This new HD camcorder which is capable of saving 1080p video to SDHC memory cards is fantastic. The footage we are taking is very impressive, sharp with great HD depth of field. Be sure to register it through Panasonic to ensure your 3 years of warranty coverage. An important note: I also got the Panasonic PZ850U TV which includes an SDHC slot. The PZ850U line from Panasonic will play the raw HD video fromthe SDHC cards without ANY transcoding! This enables me to sit back and watch the footage, make notes on the clip numbers, time points and greatly simplify the content that needs to go into post production.
6. Le Roy D. Candelaria says:

   September 19, 2010 at 3:52 AM

   Review by Le Roy D. Candelaria for Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder
   Rating:
   I am completely happy with this camera’s performance. I’m still learning some of the finer in and outs of it but I am completely satisfied with its color pick up and picture quality.

   The recording media is very affordable, I bought to 16gb class 6 SDHC cards when i purchased this camera and so far is the easiest format to use especially if you come from a background using dslr’s. The formatting must be done in the camera if anyone is wondering, and if you do format the sd card in your computer you will get an error message once you pop in.

   My only problem with this camera is the AVCHD editing. It’s a monster to edit and rendering is a painful process. I’m buying a new computer to accommodate the editing process because I currently can’t effectively edit my work with the duo core processor I have at home. In my office I have a Core2 Quad and it is also kind of sluggish and rendering in any of the HD formats is about 15:1 (minute) ratio. It’s just ridiculous.

   But enough of that, I did enough research to know that the editing would be a beast, I just wasn’t truly aware of the true impact it would have on me.

   All in all this camera is an exceptional product and I am extremely pleased with my investment.

   2/25/09 I forgot to mention these cards can be played in a PS3, which is a great feature for reviewing the days shoot. =)

   7/10/09 So it’s been 5 months now and I recently hooked up with a local magazine to do their internet video content. [...]

   I still love this camera and it is DEFINITELY one of the BEST INVESTMENTS I have made on any type of equipment I have ever owned.
7. Stephen Stough says:

   September 19, 2010 at 3:59 AM

   Review by Stephen Stough for Panasonic AGHMC70PJU AVCHD 3CCD Flash Memory Professional Camcorder with 12x Optical Image Stabilized Zoom
   Rating:
   As the retired chief technology officer for a Fortune 100 company that developed their own digital cine camera, my fundamental interest was in image quality. This 3-CCD, 1440 x 1080i anamorphic 16:9 format camera produces outstanding image quality — closer to the theoretical limits of performance of 1/4 inch sensors than anything in its price range.

   The complex optics (zoom with a telecentric focal length converter ahead of the prism assembly) should be expected to reduce the available contrast ratio because it has so many glass surfaces. Without the sophisticated equipment to measure MTF (modulation transfer function) at home, I measured effective resolution instead, which was 576 lp/pw vs. the theoretical limit of 719 lp/pw in the horizontal axis. This is an indication that all the glass surfaces are, indeed, causing a significant loss of contrast ratio.

   Even so, the camera performs very well in almost all respects. Panchromatic dynamic range excedes 6 stops (I cannot reliably measure more than that) vs. a theoretical limit at room temperature of around 9 f-stops given the 4.4 um pixel size (horizontal axis). Color saturation falls off sharply with non-optimum exposure. It measured out at ASA 100 with 0 dB of gain.

   It has two XLR inputs.

   So far, it warrants about four stars.

   Now for the bad part: User features are poor. Perhaps they are adequate for ENG work and action footage, but nowhere near adequate for professional photography. This is like a kiddie toy wrapped around a very high quality lens + sensor package. This mystifies me: Putting a Trabant or Yugo body around a Mercedes engine. Here are the problems:

   * The body is a big, mostly-empty box with mold lines showing, in a medium gray color, with labels for connectors and controls being molded in vs. silk-screened (which makes them totally unreadable in most lighting situations)

   * No manual focus ring. Manual focus can be attained, but only by running the focus motor through pushbuttons. THIS MAKES IT IMPOSSIBLE TO USE THIS CAMERA FOR FOLLOW-FOCUS SHOTS, and will therefore completely disqualify it for use by anyone that must have this capability.

   * No manual iris ring, either. Again, buttons must be used with the menu to set depth of field.

   * Gain cannot be set higher than 0 dB when the iris is closed below full-open. This takes away an important variable in depth of field control.

   * Iris full-open is not marked. I still don’t really know what it is. It’s probably around f/1.6 or some odd number like that.

   * White balance is available in only one of four pre-select modes.

   * There is no optical anti-alias filter, so any pattern with detail approaching half the pixel-limited resolution will generate moire patterns; even weave patterns in clothing.

   In summary, this looks like two different design teams were involved. One for the internals and a separate (and thoroughly incompetent one) for the user controls, form factor, and externals.

   For my purposes, this is a high-quality hand-held prosumer camera in a kid’s toy shell and I cannot really use it for professional work. But, if you need a shoulder-mounted ENG camera for outdoor action photography, this might be just the ticket.
8. Olin R. Blankenship says:

   September 19, 2010 at 4:51 AM

   Review by Olin R. Blankenship for Panasonic AGHMC70PJU AVCHD 3CCD Flash Memory Professional Camcorder with 12x Optical Image Stabilized Zoom
   Rating:
   i am one of those few people who own both hmc70 and hmc150.while my hmc150 is top notch product,i cant criticize my hmc70 if i look at the fact that it cost 1/3 of what hmc150 did to me.
   
   hmc70 is consumer camera fitted into big body,but……..this consumer camera will put lots of other professional camera to shame.
   
   if u are looking for hd quality under two grand look no further.i bought this camera when it was on sale 3 weeks ago.price went up since then.
   
   pros: great picture(under good light though),sound is good even with in built mic,very reasonably priced for 3ccd ,2 cold shoe,volume indicator ,decent view finder,great professional look for this price,and above all no more tape(sdhc recording is really a revolution in professional video business)
   
   1.this camera has 3ccd(1/4) which you cant find in other canera at this price range(i always thought panasonic give more value to your money than sony,jvc let alone canon -canon dont have technology to make ccd so it use pana ccds thats why it is always expensive)
   
   2.these 3ccd produce very good and almost clean picture even when u record at full 13mb/sec settings(you need good amount of light though- buy one on camera light , 100 watt at least.)
   
   3.recording on sdhc card has changed equations forever,u will not look back to mini dv sony or jvc cameras.
   
   dumping whole movie in to your computer is similar to dumping photos from still camera.
   
   4.avchd recording can be edited on corel video studio 12,adobe premier element 7,pinnacle 12,power director 7( i would suggest COREl because it does not render avchd after u finish editing,than mean u save time and image keep its quality,although u need to turn on smart proxy for avchd editing,but then u can even edit this on single or dual core,u dont need quad core computer.)
   
   5.if your customer need regular dvd,u can still use this camera and then before u do editing,transcode this avchd to mpeg 2 using any of the above softwares.( trick here is that u should transcode avchd to mpeg with at least 9 mb/sec variable bit rate setting,so in case u need to put 2 hour on single layer dvd ,u will get better quality,but if u have faster computer u can always edit in native avchd then output final file into mpeg2 )
   
   5. best sdhc card is transcend,but you buy pana,kingston,sandisk,never buy adata brand)
   
   6.buy one extra battery(sad thing is No other generic battery is available so prepare to spend 169 more for decent pana battery)
   
   please note this camera has few cons (because pana sont want to give you everything for this price)
   
   what those thing missing
   
   1. no zoom ring
   
   2. no focus ring(infact there is no ring on this camera)
   
   3. no zoom control jack(so you cant use this camera with tripod remote)
   
   4.nedd lots of light(understandable ,becuase u are paying under 2 grand and ccds are only 1/4 inch)
   
   overall if you are in transition phase from dv to hd ,and dont want to spend lots of money then this camera is number one choice,other wisebuy hmc150
9. R. hall says:

   September 19, 2010 at 5:16 AM

   Review by R. hall for Panasonic AGHMC70PJU AVCHD 3CCD Flash Memory Professional Camcorder with 12x Optical Image Stabilized Zoom
   Rating:
   OK, I am not a professional videographer, but I know what looks good on a nice television or screen. I tried the smaller HD camcorders (Canon HF 10, and Sony HDR-SR11), and they have excellent video quality if you do not move the camera. I mean don’t follow your kids around the yard or try to video a bird in flight or pretty much anything moving. What happens is that you get a kind of ghosting in the video, so the High Def picture I was shooting for looked very pixellated and low quality. I decided to try a prosumer type video camera, and this one was the least expensive HD available at the time. Once it arrived at my house I used it to video several different scenes that gave me difficulty with the hand-helds. The quality of the video was astounding. I could get the same quality during moving shots that I could get with the static shots using the hand-helds. Great I thought I solved the problem of pixellated video in HD. However, there was one small problem. This Camera is Ginormous (Gigantic+enormous) Considerably larger than the old VHS style camcorders. I love the video quality, but it is too big to carry to Disney World or a soccer game or pretty much anywhere that you are not set up to shoot video. The flash memory is excellent, and I have not noticed a huge difference in the picture quality of this camera utilizing flash memory and my current Sony HDR-FX7 utilizing tape.
10. Jimmystl says:

    September 19, 2010 at 6:14 AM

    Review by Jimmystl for Panasonic AGHMC70PJU AVCHD 3CCD Flash Memory Professional Camcorder with 12x Optical Image Stabilized Zoom
    Rating:
    Decided to look for an inexpensive shoulder mounted high definition camcorder: there are currently, as Feb. 2009 two models available. The Sony HVR-HD1000 and the Pansonic AG-HMC70 (HMC70P, HMC70PJ are NTSC models, PAL models use different numbers). After checking out online reviews by Digital Content Producer and VideoMaker, I decided to go with the Panasonic camcorder.

    The shoulder models both use “professional” versions of consumer handheld cameras. So don’t think that for 2 grand you are buying a camcorder that can compare to the more expensive models. The Sony records HDV compression to Mini-dv tapes V.S. the Panasonic recording in AVCHD (13Mbps highest option) to SDHC memory cards. While the HD video quality is sharper with the Sony, the Panasonic AVCHD still looks good without the blocky artifacts you sometimes see when recording motion in HDV compression. The biggest reason for me going with the HMC70 was that it had XLR inputs (use external mic instead of camera’s mic), while the Sony only had mini-jack for mic input. I also wanted to use memory cards instead of tapes.

    Check out online reviews for yourself before buying either camcorder.
11. M. Reid says:

    September 19, 2010 at 6:20 AM

    Review by M. Reid for Panasonic AGHMC70PJU AVCHD 3CCD Flash Memory Professional Camcorder with 12x Optical Image Stabilized Zoom
    Rating:
    This is the first “prosumer” HD camcorder I’ve used. For the money I can’t see the need for anything else. The video is great (as long as you get the correct lighting kit) and adding external audio via a mic is a snap. Make sure you invest in a larger SD card. The 2Gb card that comes with it only gives you about 20min of video on the highest settings. Other than that the unit is constructed well and is light weight.
12. moostash says:

    September 19, 2010 at 7:12 AM

    Review by moostash for Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle with Accessory Shoe for Flash, Mic, or Video Light (Blue)
    Rating:
    this grip is great my dslr fits awesome in it and is light and easily movable and easy to attach and plus it is able to be put on my tri pod while its in the grip for easy release
13. Paula Mayhue says:

    September 19, 2010 at 7:52 AM

    Review by Paula Mayhue for Canon VIXIA HF200 HD Flash Memory Secure Camcorder Carrying Case
    Rating:
    I would highly recommend this product. Lots of padding and storage compartments. I have stored the manuals, power supply, lens cleaner, spare battery, charger, and cables.
14. James Fleeting says:

    September 19, 2010 at 8:31 AM

    Review by James Fleeting for Canon VIXIA HF200 HD Flash Memory Secure Camcorder Carrying Case
    Rating:
    The case is a good size and manages to fit everything you will need for the camcorder including spare sd cards, all the cables it comes with, charger, lenses, manuals and more. Lots of padding means I know my camcorder is always protected inside it. The walls inside are velcro and allow you to move them and arrange them as you wish to make room or to keep loose items from moving around. A great case for anybody with an HF200.
15. An Attorney says:

    September 19, 2010 at 9:03 AM

    Review by An Attorney for Canon VIXIA HF200 HD Flash Memory Secure Camcorder Carrying Case
    Rating:
    This case is very spacious. I’ve been able to keep my camcorder, my digital camera, a spare lens, and assorted outlets and the like in the case. There is plenty of padding.

    The only slight downside is that it feels just a little cheap when you put a $40-$60 price tag on it. But I really like what the product has to offer, and I’m satisfied with it.
16. RichD says:

    September 19, 2010 at 9:11 AM

    Review by RichD for Canon VIXIA HF200 HD Flash Memory Secure Camcorder Carrying Case
    Rating:
    I needed a bag to accommodate several pieces of gear without having to carry a large duffle bag around. This bag was perfect! In this bag I have a Canon EOS Xsi, a full size flash, a Canon HG21 HD camcorder, a Canon subcompact Powershot camera, chargers, cables, and batteries. It can hold a lot of stuff in its small package. I love this bag and would definitely get another one.
17. Abby Rakocy says:

    September 19, 2010 at 9:34 AM

    Review by Abby Rakocy for CaseCrown Deluxe AirCell Lined Case with Shoulder Strap for the Panasonic Professional AG-HMC40 AVCHD Camcorder with 10.6MP Still and 12x Optical Zoom
    Rating:
    This case has many outer pockets to quickly grab whatever you need. The padded shoulder strap is a nice feature, as are the adjustable dividers to fit whatever size camera you may be carrying.
18. Angie Vargas says:

    September 19, 2010 at 10:19 AM

    Review by Angie Vargas for Professional PRO 72″ Super Strong Tripod With Deluxe Soft Carrying Case For The Canon VIXIA HF S10, HF S100, HF200, HF20, HF11, HF100, HF10, HG21, HG20 Flash Memory Camcorders
    Rating:
    I’m happy with this tripod. It is perfect. It was my first time purchasing a tripod and it took me about 30 minutes to figure out how to set it up. Honestly it can be a bit confusing. This tripod by Polaroid did not come with setup instructions in the box whatsoever. If you’re a newbie you either have to figure it out or get someone experienced to help you out. Other than that, I am happy with the portability, the height and the rest of its functions! It seems like it will be durable and worth the money, which wasn’t much!
19. Danny Boen says:

    September 19, 2010 at 11:11 AM

    Review by Danny Boen for Professional PRO 72″ Super Strong Tripod With Deluxe Soft Carrying Case For The Canon VIXIA HF S10, HF S100, HF200, HF20, HF11, HF100, HF10, HG21, HG20 Flash Memory Camcorders
    Rating:
    I’m an average everyday user. I love the highth, the portability, and the sturdyness of this tripod. Fantastic.
20. A. Chaverri says:

    September 19, 2010 at 12:02 PM

    Review by A. Chaverri for Professional PRO 72″ Super Strong Tripod With Deluxe Soft Carrying Case For The Canon VIXIA HF S10, HF S100, HF200, HF20, HF11, HF100, HF10, HG21, HG20 Flash Memory Camcorders
    Rating:
    Great tripod, good looking, light, sturdy, easy to open and adjust and it looks that is going to last many years.
    
    Great buy !!.
21. LennonRocks says:

    September 19, 2010 at 12:02 PM

    Review by LennonRocks for Professional PRO 72″ Super Strong Tripod With Deluxe Soft Carrying Case For The Canon VIXIA HF S10, HF S100, HF200, HF20, HF11, HF100, HF10, HG21, HG20 Flash Memory Camcorders
    Rating:
    You are not going to find too many 72″ high tripods without spending alot. So for our family and concert video taking, this was just perfect.
22. Avalete says:

    September 19, 2010 at 12:26 PM

    Review by Avalete for Professional PRO 72″ Super Strong Tripod With Deluxe Soft Carrying Case For The Canon VIXIA HF S10, HF S100, HF200, HF20, HF11, HF100, HF10, HG21, HG20 Flash Memory Camcorders
    Rating:
    This is a sturdy, well-made tripod that is also light and easy to carry in the very nice case which comes with it.